When Venice Ruled the Seas

Venice, known as “la Serenissima,” from its start was different from any other place in Italy.

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Vittore Carpaccio The Lion of St. Mark

It was a new city, founded in the watery marshes of the northern Adriatic by people fleeing invaders in the 5th century CE.

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The Island of Torcello in the Venetian Lagoon

By 639 the church on the island of Torcello marked the presence of a permanent community in the area.

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In this painting the 15th-century Venetian artist Carpaccio evokes the days of the earliest settlers on the Venetian Lagoon.

Vittore Carpaccio Hunting in the Lagoon

Below Carpaccio gives a vivid picture of what Venice looked like in his own day.

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Vittore Carpaccio, Miracle at the Rialto

During the 9th century Venice became centered in the area of the Riva Alto or Rialto , where the Rialto Bridge stands. In 1591 Antonio da Ponte replaced the wooden bridge with the stone bridge you see today.

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View of the Rialto Bridge from the Grand Canal

Here is a virtual tour of Venice from Google Maps, with videos of the city today and maps showing how its changes over time.

The Byzantine Emperor Justinian made his base in Italy in the nearby city of Ravenna in 540 CE and over the following centuries, Venice benefited from its close relationship with the Byzantine Empire.

The Emperor Justinian and his attendants, Basilica of San Vitale,  Ravenna

Venice’s Basilica of San Marco, built in the 9th century, shows eastern influence in its domes and in the golden mosaics inside.

The basilica is dedicated to St. Mark the Evangelist. In 828 some Venetian merchants stole the supposed body of the saint from a church in Alexandria and brought it to the city. Those relics lie in a tomb on the high altar of St. Mark’s Basilica.

Profiting from trade privileges granted by the Byzantine emperor, Venetian merchants ranged across the Mediterranean and beyond.

An illustration from Marco Polo’s Il Milione

The Crusades created economic opportunities for Italy’s maritime republics who provided transportation by sea.

The First Crusade (1096-1099) was especially profitable to the Republic of Pisa.

Pisa, Piazza del Duomo, constructed 11th-12th centuries

The Fourth Crusade, in which Venice took the lead,  ended in the 1204 siege and sack of the Byzantine capital of Constantinople.

Conquest of Constantinople by the Crusaders in 1204 BNF Arsenal MS 5090

The triumphant Venetians returned with precious treasures they looted, including these ancient bronzes.

The Quadriga, ancient bronzes brought back from Constantinople after the 1204 Sack

Venice emerged from the Middles Ages as Italy’s most powerful maritime republic; la Serenissima dominated trade throughout the Mediterranean.

Venice’s successes abroad were due not only to the extraordinary drive and energy of its merchants and sailors, but to the political structure of the Venetian Republic, which was run by a closed oligarchy of high-ranking citizens, led by the doge.

Giovanni Bellini, Portrait of Doge Leonardo Loredan

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The doge was elected for life, usually when he was quite elderly. He presided over civic and religious ceremonies, such as the Sensa, the Feast of the Ascension.  The doge would sail out on his ceremonial barge, the Bucintoro, surrounded by all the aristocracy and toss a golden ring in the water, ritually wedding the sea.

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Canaletto The Bucintoro on Ascension Day, c.1730

The Venetian Republic had a complex system of checks and balances to limit factionalism and reduce corruption. It also had a harsh, inflexible system of justice overseen by its secret service agency, the Council of Ten.

Hall of the Council of Ten in the Doge’s Palace, Venice

Council of Ten chamber in Doge's Palace in Venice

Citizens could place anonymous denunciations into slots in stone structures known as bocche di leone (mouths of the lion).

Venice’s ships were built in the state-owned Arsenal.

Canaletto, View of entry of Venice’s Arsenal

Its merchant galleys could be swiftly converted into fighting ships.

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Venetian merchant galley
venetian fighting gallley
Venetian fighting galley

Venice’s landscape, history, and political structures were different from the rest of Italy, so too was its art.

Titian, Venus of Urbino

Some artists specialized in documenting life in Renaissance Venice, in the “Eyewitness style” of painting.

Gentile Bellini, Procession in Piazza San Marco 

Giovanni Bellini introduced a style of painting referred to as poesia or “visual poetry”

Giovanni Bellini, Woman looking into a mirror

Perhaps the most famous example of “visual poetry” in Venetian art is Giorgione’s Tempest

Giorgione, The Tempest

The damp climate was not generally favorable to fresco technique:

Giorgione, fresco from the facade of the Fondaco dei Tedeschi

Venetian artists reveled in the richly saturated color effects they could achieve through use of oil paints

Giovanni Bellini, San Giobbe altarpiece

The myth of Venice was strong. Often depicted as a queen, Venice was la Serenissima.

Veronese, The Apotheosis of Venice, Ducal Palace

And sometimes artists represented Venice as Venus, goddess of love. Like Venice, she was born from the sea.

Titian, Venus Rising from the Sea

 

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